WATCH THIS VIDEO. It’s a LOVE STORY. It’s like REMAINS OF THE DAY 2.0. The greatest love story ever blogged. erm, set against an epic backdrop of the deep south and the american civil war CSS standards compliancy and web-browser wars.
If you haven’t heard this song just go and listen to it. (You may recognise it — it was used in the sproutface DiCaprio Romeo and Juliet). That’s all I should say.
However, to make the your perhaps-momentous discovery more possible, you may need preparing.
If you have not heard Stina’s voice it’s because you’ve never seen an Ariston washing machine advert, and it’s her voice that could be the deal breaker. There are songs you cannot persuade people they will like, and often it’s because of the vocal. If a voice is like nails on a blackboard to you, you won’t get past that. Similarly if it’s like being repeatedly limply patted on the shoulder by a wet teddybear, you’re going to get fed up quite quickly. Still, I made an effort to like Neil Young and Morrisey, so you could have a go with winsome Stina, eh? She’s Swedish — you love Swedish pop right?
In a way this is the song to get past her twee etiolated voice. Like the little star, her voice might feel initially weak, but it’s got a hidden and precise power … read on …
The edition of Top of the Pops on the 8th November 1979 featured The Specials (A Message To You, Rudy), Madness (One Step Beyond), and The Selecter (On My Radio). UK pop buyers officially loved the “2 Tone” label. The distinctive checkered-strip logo was an instantly recognisable label of your pop allegiance — a simple design that was easy to pick out in tippex(r) on an army-surplus school-bag, or in the blocky graphics of home computers at the time (shift-S shift-S shift-S…). I was too young to care (or know) about labels, but I knew the music, and I knew there were special moves at the school disco.
The success of 2 Tone was rapid — their first release, by founding band The Specials, had only been in the summer gone of 79 when the band ‘The Selecter’ didn’t yet exist. They were the label’s first manufactured band, put together from Coventry’s ska scene and given the name of that first release’s (ambiguously attributed) instrumental B-side. … read on …
The Guardian’s “not Nancy Banks Smith” TV reviewer Sam Wallaston is a reliable sort of guy. I watched last night’s Come Dine With Me and was agog. “This is the best thing I’ve seen on Channel 4 in a long time” I exclaimed while watching between my fingers. Sure enough Wallaston’s review: “the worst programme on television”. He didn’t like it. And that’s why I read his reviews. “Never knowingly correct” goes his strapline. (Don’t get me started on his “ha ha geeks eh, this IS complicated and silly” he did the other day on Battlestar Galactica.)
Anyway… COME DINE WITH ME. Last night’s was more than awesome. This show has grown — a day-time staple, it’s gathered celebrity editions, and now it comes in a new format. No longer a short show every day of the week covering 5 people — they now compress 4 people in to a one hour show. It’s a sensation. Well for something that’s come from day-time. (It even has a rip off version on the beeb hosted by Simon Rimmer who seems to be trying to be on telly every day of the week for an entire year.)
But then having established a regular format, with often witty and interesting people who occasionally come to verbal blows, it goes HAYWIRE. Remember that first edition of Wife Swap with the foul mouthed racist woman — it was well train wreck. This was much the same but written by Mike Leigh. … read on …
From an anonymous source close to the company, I’ve found myself in possession of the “Infocom Drive” — a complete backup of Infocom’s shared network drive from 1989. This is one of the most amazing archives I’ve ever seen, a treasure chest documenting the rise and fall of the legendary interactive fiction game company. Among the assets included: design documents, email archives, employee phone numbers, sales figures, internal meeting notes, corporate newsletters, and the source code and game files for every released and unreleased game Infocom made.
If you want to play it here is the z-code file. You need an application that loads z-code files.
An April 1st (2009) release, but if it is another joke it’s an amazingly good-looking one! There have been previous fake Zelda movie trailers, mostly by fans, and you can tell.
Maze War is the grand-daddy of not only first-person shooters, but also networked multi-player games like World of Warcraft. I wouldn’t be surprised if there are mazes in WoW, Second Life etc, as they are the nursey-slopes for 3D environment creating. I doubt they feature highly in such games.
The persistence of mazes in the text adventure genre of computer games is due perhaps for two reasons. Mazes seem to have an affinity with things literary - they can be used metaphorically or as entities in a magical realist settings, in ways that wouldn’t cohere in more ‘realist’ graphically-oriented game. There is also the metaphor of ’story as maze’ of which Borges ‘Garden of Forking Paths’ is the most well known.
More importantly, the genre just seems to attract game designers who like mazes as mazes, and as a historical ‘in joke’. In Graham Nelson’s Designer’s Manual he puts it bluntly: “it is designers who like mazes … players do not like mazes.” I would also go along with his description of mazes as the ‘locked room’ of text adventures. Provide a novel solution, and you please everyone.
So it goes that in modern text adventures, mazes in name and appearance only often have peculiar and map-free solutions:
SPOILAZ ALERT
* an unsolvable maze - you … read on …
Lost in Trance-Nation: Mark leads the way with Alix, Alan, Meg and Steve on Knobs.
Hammering tongues - is Cornish past-it? Pit Er Pat ‘Pyramids’. Lost in mazes, shops and computer games. Presets “Down Down Down”. Sporting rituals to ward off losing, and music to lose by, in which The Lollards finally play some Cast. This week’s midweek download #1 is Connie Francis “If It Takes Forever”